The Distance — CAKE

From CAKE's 1996 album Fashion Nugget, The Distance rides a deadpan vocal, a fat bass line, and blasting trumpets. It tells the story of a racer who keeps going long after the crowd goes home. I saw CAKE with a close friend last year, and The Distance still carries that concert memory. Seen...

Spirits in the Material World — The Police

From The Police's 1981 album Ghost in the Machine, Spirits in the Material World pairs a choppy reggae groove with Sting's moody synths and haunting vocals. It questions politics and asks whether our answers lie somewhere deeper. The Police takes me back to bar mitzvahs, friends, and dancing at...

Sweet Home Alabama — Lynyrd Skynyrd

From Lynyrd Skynyrd's 1974 album Second Helping, Sweet Home Alabama opens with one of the most recognizable guitar riffs in rock. It's a proud, complicated answer song that name-checks Muscle Shoals and its legendary Swampers. For me, Alabama is home: beautiful, deeply complicated, and filled with...

Carry On Wayward Son — Kansas

From Kansas's 1976 album Leftoverture, Carry On Wayward Son was written by guitarist Kerry Livgren. Soaring harmonies, a crunching riff, and that famous a cappella opening made it a classic rock staple. Livgren later became a Christian himself. Seen through a Christian lens, Kansas gives a...

The Circle Game — Joni Mitchell

From Joni Mitchell's 1970 album Ladies of the Canyon, The Circle Game was written as an answer to her friend Neil Young. It follows a child growing up season by season, as the painted ponies go up and down. Joni Mitchell makes me hear childhood and fatherhood together. Olivia, Charlotte, and...

Both Sides, Now — Joni Mitchell

Joni Mitchell wrote Both Sides, Now in the sixties, and it became a hit for Judy Collins before Joni recorded it herself. Her later version shows how a song grows along with its singer. Joni Mitchell reminds me that living still leaves more to learn. Music changes as the listener grows. Seen...